Tuesday, October 9, 2018

Magazine Cover - Student Inspiration









I wanted to look around at the work of past students doing similar work on a media studies AS course, just to understand how other people went about producing an outcome in their own projects. This image stood out to me in particular, being of a fairly similar style to what I plan on creating. This person has also chosen the black and white theme as the primary colour scheme, but has paired this with red text for contrast.



  The character depicted is in the forefront of the shot, but stands as the only object in the photograph to obtain colour. This stands out, but I feel could detract from the overall impact. It was useful for me to consider the conventions used by this student, and allowed me to project my own concept onto a similar layout.

















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Magazine Cover

https://www.business2community.com/marketing/10-colors-that-increase-sales-and-why-0366997


^ I decided to look into the foundations of cover layout, and also which colour schemes are going to be most appealing to consumers. Visual appeal is the first impression the product gives to a potential buyer, so a failure to create something eye-catching, is failure in promoting my television series altogether... I
__________
In terms of colour scheme so far, I have the idea of sticking to a sophisticated black and white, with one other colour to intensify text and graphics. Red is effective, but commonly used, and I'm not overly sure that blue has the suffice amount of contrast against the rest of the image. Therefore, yellow stands as my current idea, giving my direction stylistically. According to ' https://www.colorpsychology.org/yellow/ ':


 'Yellow is the brightest colour of the visible spectrum, and it is the most noticeable of all colours by the human eye. It means happiness and optimism; it is the colour of sun shining, or bright light and creativity.'


This interpretation could correlate well with the actual narrative of the show, standing to represent an element of hope woven through the colourless dystopia. Yes, I'm probably thinking more deeply than any consumer ever would, but it's nice to be able to link elements of my project with one another during the creative process.
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Monday, October 8, 2018

article writing - Q+A

https://contently.net/2016/09/20/resources/career-advice/journalism/5-keys-writing-qa-piece-people-actually-want-read/


credit to:
https://blog.ezinearticles.com/2010/05/question-answer-article-template.html                                     >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>












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Aims and Intentions - (updated)


Genre:   'Paranoid fiction'; 'dystopian'; 'Orwellian'

Channel:  ITV

Location in narrative: Point of disruption.

Aiming to achieve:
A dystopian production, lightly touching on sci-fi themes and genres like ‘paranoid fiction’ – a style more suited to the works of George Orwell (1984). The three-minute production will be at the point of disruption, where the enemy figure commences the operation to trace the protagonist and rebel group. This is during the time that the protagonist forms his alliance with this crowd, joining forces in fighting the hierarchy together. 

Target Audience:
‘Renegade 7’ will be an ITV production, targeted at a demographic of ‘Millennials’ (18-35 years). My series will be of particular interest to this audience, with themes mirroring the real dilemmas and controversies that preoccupy the minds of this age band. It will cater to those seeking an escapist fantasy with parallels giving the narrative more depth. In terms of gender appeal, the protagonist is male, but in order to by-pass the gender bias here, there is another focal female character in the series, not standing as merely a love interest. Issues such as mental health and LGBTQ+ will also be addressed. In terms of socio-economic groupings my target market would fall into the C1/C2 (lower middle class/skilled working class) bands, given that these will be most able to identify on a personal level with the focal characters. That said, I think that themes in society mirrored this way are universally understood.

Form and Style:
The series will span many episodes, with a complex narrative that may have the potential to continue over several seasons. The production itself will have a high production value, working with a more cinematic style. A dystopian aesthetic will a large contribution to the product’s unique selling proposition. Given that crime drama is popular, but mildly overused, I decided to incorporate some stylistic features in my production, developing a ‘Dystopian-Noir’ feel. To broaden the show’s impact, I broke out of the confinement of one creative genre, allowing mine to work with much genre hybridity and therefore appeal to multi-fandom interests and audience personalities.

Themes and Features:
A successful fictional dystopia needs a certain type of protagonist. A non-conformist. A rebel. Mine stands as a young man devoted to fighting for freedom, whilst at the same time trapped in his own mind, shackled by depression and PTSD – a perfect paradox. Subjecting this character to common themes of dystopia works to induce fear from parallels between this fiction and real-world problems. Having a relatable character allows the viewers to easily slip into his shoes, facing a world not too dissimilar from our own. A totalitarian hierarchy, loss of control, technological takeover – each fears of today’s millennial generation, and prominent subjects within dystopian literature. Orwell’s ‘1984’ has served as a large inspiration, and so themes and features of this text may be borrowed as a visual demonstration as to how disturbingly distorted our future could be.
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Wednesday, October 3, 2018

Production BTS






( Instagram: @Mollie_May16 )
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